SCHOLAR

“The Radio City Rockettes: Lived to Kick Another Day” Presenter, Working Session, ASTR conference, Seattle, WA, November 2024. “Embodied Histories: Revivals and Repertory in Practice,” Presenter, Working Session, ATHE conference, Atlanta, GA, August 2024. “’What Can You Do with a BA/BFA in Musical Theatre?’ -Thinking through Curriculum Ideas to Re-envision the Industry,” Panel Coordinator, ATHE Conference, Augusta, GA, August 2024. “’I Wanna Be a Rockette’: Hoping for Unison (and Unity),” Presenter, Working Session, ASTR conference, Providence, RI, November 2023. “Ubuntu: Considering Community Practices in Black Ensembles,” Presenter/Session Organizer, ATHE conference, Austin, TX, August 2023. “Think It Through: Best Practices for Auditions,” Session Organizer, ATHE conference, Austin, TX, August 2023. “Centering Care: A Round Table,” Presenter, VASTA @ ATHE, ATHE conference, Austin, TX, August 2023. “Rupture, Reckoning, and Repair: Ethical Questions in Musical Theatre Pedagogy and Practice,” Presenter, ATHE conference, Detroit, MI, July 2022. “’Hold, Please!’ A Roundtable on Raising Our Voices to Discern Rigor vs. Need in Contemporary Theatre Practices.” Presenter, ATHE conference, sponsored by VASTA (Voice and Speech Trainers Association), Detroit, MI, July 2022. “Recovery and Resilience: Ending Stigma for Vocal Injuries,” Presenter, Theatre, Film, and Media Studies Talks, OSU, January 2022. “Chorus Lines, Conformity, and Colorism,” HUB Presenter, Dance Studies Association (DSA) conference, October 2021. “Let the Body Speak: The Polyvocality of the Black Chorus Dancer,” Presenter, ATHE conference, August 2021. “Recovery and Resilience: Ending Stigma for Vocal Injuries,” Presenter, ATHE conference, sponsored by VASTA (Voice and Speech Trainers Association), August 2021. “Beyond Paper: Making Use of Libraries and Archives in the Digital Realm,” Coordinator, ATHE Pre-conference, August 2021. “The Disciplined Body,” Finalist, Edward F. Hayes Graduate Research Forum, OSU, April 2021. “The Precarity of Community.” Presenter, Hindsight’s 2020: Looking Back to Move Forward, A Virtual Interdisciplinary Arts Colloquium, OSU Department of Theatre, Film, and Media Arts, March 2021. “Shut Up and Dance: One Rockette’s Unlikely Voice.” Presenter, ASTR conference, October 2020, online. Part of working group, “’F’ Word Backlash: Repetition and Beyond in Feminist Performance.” “Shut Up and Dance: Conformity and Community.” Presenter, Telephone Hour: A Quarantine Colloquium, with the Musical Theatre/Dance Focus Group of ATHE. October 2020. “From Ziegfeld to the Shuberts: The ‘Imagined Availability’ of Female Dancers.” ATHE conference, August 2020. Cancelled Presentation due to COVID-19. “Is There a Road to Becoming a Broadway Choreographer?” Presenter, ATHE conference, August 2020, online. “Glorifying Whiteness: How Chorus Lines in the Early Twentieth Century Contributed to the Hegemony of the White Racial Body.” Finalist, Edward F. Hayes Graduate Research Forum, OSU, February 2020. “In Sync/On Stage: How Unison Choreography Operates and Why We Love It.” Presenter/Session Organizer, ATHE conference, August 2019, Orlando, FL. “Standing Up for Stand-bys: Progressive Understudy Practices at the Royal Shakespeare Company.” Presenter, Bursting the Silos: Interdisciplinary Arts Symposium, OSU, March 2019. “The Radio City Rockettes and the Making of a Sisterhood.” Paper presented as one of three on the 2018 Bruce Kirle Memorial Debut Panel at the ATHE conference, August 2018, Boston, MA. “‘Skating’ the Issues of Feminism in Kander & Ebb's The Rink.” Presenter, ATHE conference, August 2018, Boston, MA. “Late to the Game: The White Aesthetic of the Rockettes.” Approaching Dance Conference, City University of New York, May 2017 and the Graduate Syndicate Symposium, OSU, April 2017.